For “Bridge to Nowhere”, we decided it was best to do a 3D visualization of the video before we filmed it. We knew at the beginning of the project that all the environments would be digital, so we tried to plan out all the camera angles and shot durations before the shoot. This helped us and the record company to have a clearer idea of the aesthetic and pace of the video. It also was a great tool to have on set, as it allowed the crew to quickly have an idea of light direction and which lenses to use. It also helps to contextualize a scene with actors.